Nwt Rare John

John Coltrane Blue Train Factory Sealed Acoustech 180 Gram Numbered 109 Rare Lp

John Coltrane Blue Train Factory Sealed Acoustech 180 Gram Numbered 109 Rare Lp

John Coltrane Blue Train Factory Sealed Acoustech 180 Gram Numbered 109 Rare Lp
JOHN COLTRANE - BLUE TRAIN - STEREO LOW NUMBERED 109 LIMITED 180 GRAM RARE OUT OF PRINT AUDIOPHILE MASTERPIECE COULD BE THE LAST SEALED COPY LEFT IN THE WORLD OF THIS NUMBERED EDITION. Here's How it was done. Using only the original analog master tapes, the renowned team of Steve Hoffman & Kevin Gray remastered and cut all of the titles at AcousTech Mastering, which features a pure Class-A disc-cutting system. AcousTech is located at Record Technology, Inc. The plant where the vinyl was pressed. It is a tremendous sonic advantage to have the pressing plant plating department & mastering room in the same facility as Steve & Kevin could cut a lacquer and plated immediately. This prevents the degradation of the grooves in a lacquer which is very fragile to quick deterioration. And of course cutting at 45 speed is the audiophile choice for the highes quality.

A 45-RPM record is sonically superior to a 33 1/3 variety because of a 35 percent reduction of groove curvature compared to a 33 1/3 cut.. It means that while you can't fit as much music into a 45, the undukations of the groove that your cartridge has to track are stretched over a longer distance. For these reissues, the music was displaced onto four sides, meaning each side contains about 10 minutes of music. This is the ultimate reissues.

The only way you'll get closer to this classic music is to listen to the master tapes or have been in the studio with the artist originally during the actual session. Rare Numbered Limited Edition Copies! Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes! The Definitive issue of this classic Blue Note title! Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957.

From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie.

It was like going back in time to that day in Rudys studio. Quite simply, the stereo masters revealed more of what it was like to be there that day. It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Grays custom-built AcousTech Mastering studio in Camarillo, CA.

Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech. These Blue Note recordings deserve nothing less than the finest graphic presentation.

The Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... Four times sharper than original Blue Note jacket photos. Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series. Theyre BIG and open and definitely work in stereo because theyre not hard left/right stereo. The cymbals are so "chimey" and the skins so open!

Even Rudy's typical boxy piano isn't too bad. These are going to be really good.... Real time reaction after hearing his first test pressing of Horace Parlans Speakin My Piece LP. Ive heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, noneand I mean noneconvey the intensity of living, breathing music-making the way the Music Matters Blue Note series does.

The sense of air, texture, and dynamic pop in these grooves is astonishing. Wayne Garcia, The Absolute Sound. If you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out!

Blue Train remains a superb achievement both musically and sonically, and Acoustic Sounds' pressing knocks off all other reissues... The sound is immediate, with superb instrumental balance, and a big, airy, coherent soundstage.

The bass and drums are well captured, serving as deep anchors that allow the horn players to blow away with a sense of controlled yet astonishing freedom. Wayne Garcia, The Absolute Sound, June/July 2009. These are simply amazing pressings. I have no regrets whatsoever about signing up for this subscription.

The folks I'd invited over last Saturday are by no means audiophiles, but they couldn't believe that they were listening to vinyl, or that recordings that were 40+ years old could sound so good. I'm working hard to turn them into vinyl converts. These discs are the icing on the cake! Tim Bingaman, Acoustic Sounds customer. The new LPs, as with the others, superb in their production and packaging.

The quality of the sleeves and printing is unsurpassed and is a real indicator of the attention spent to the new 45rpm pressings inside. There are many hours of good listening ahead with this series. Barry Paulson, Acoustic Sounds customer. As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system.

It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008.

This was the first fully realized masterpiece by Coltrane. The superbly executed and blended ensembles have a haunting quality and each solo is a memorable treasure. Tracks include: Blue Train Moments Notice Locomotion Im Old Fashioned Lazy Bird.

You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever!

Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever. FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

Because of Postal Regulations in following countries -- U. (England, Ireland, Wales and Scotland), SOUTH AMERICAN COUNTRIES, QATAR, PHILIPPINES, SRI LANKA, ISRAEL, RUSSIA, MEXICO and MALTA. Check out Mymusicfix or additional audiophile recordings by hitting STORES (SEARCH) OR ME on this Titles Home Page to view all of our other items on E-Bay. Mymusicfix has been told that we have the best collection of Rare Out of Print Audiophile music on E-Bay. The item "JOHN COLTRANE BLUE TRAIN FACTORY SEALED ACOUSTECH 180 GRAM NUMBERED 109 RARE LP" is in sale since Monday, February 25, 2019.

This item is in the category "Music\Vinyl Records". The seller is "mymusicfix2" and is located in Lake Forest, California. This item can be shipped worldwide.
  • Modified Item: No
  • Country/Region of Manufacture: United States
  • Custom Bundle: No
  • Style: Contemporary Jazz
  • Type: LP
  • Speed: 33 RPM
  • Record Size: 12"
  • Non-Domestic Product: No
  • Record Label: BLUE NOTE RECORDS
  • Release Year: EARLY 2000'S
  • Edition: Collector's Edition
  • Genre: Jazz
  • Features: 180-220 gram

John Coltrane Blue Train Factory Sealed Acoustech 180 Gram Numbered 109 Rare Lp